Michael Baldwin, GB, 1945, Chipping Norton, Oxfordshire; artista y escritor
Mel Ramsden, GB, 1944, Ilkeston, Derbyshire; artista y escritor
y
Charles Harrison, GB, (1942-2009), Chesham, Buckinghamshire; escritor y editor.
2011Official Squares Again, Galerie Grita Insam, Vienna, Austria Portraits and a Dream, University of Kent, Canterbury, Kent 2010Portraits and a dream, Lisson Gallery, London 2009Art & Language, EMMA, Finland Recent work, Distrito 4, Madrid. 2007Art & Language, Distrito 4, Madrid. Now They Are Surrounded:Reconfigured, London Metropolitan University 2006Art & Language, Galerie Grita Insam, Viena. Il ne reste qu’ à chanter, Galerie de l’Erban, Nantes (Miroirs 1965, Karaoke 1975- 2005) and Chateau de la Bainerie (Travaux 1965-2005). 2005Hard to Say When, Lisson Gallery, Londres. Now They Are Surrounded, noviembre 2005, Zentrum fur Kunst und Medientechnologie, Karlsruhe. Exhibition to accompany the symposium Art &Language and Luhmann III, del 5 al 6 de noviembre. 2004Art & Language, Migrosmuseum fur gegenwartskunst, Zurich, noviembre, Galeria Filomena Soares, Lisboa. Art & Language, CAC Málaga, septiembre-octubre. 2002Too Dark to Read: Motifs Rétrospectifs, Musée d’art moderne Villeneuve d’ascq. 1999 Galerie Grita Insam, Viena.
Fundació Antoni Tapies, Barcelona.
PS1/Contemporary Art Center, Nueva York. Art & Language & Luhmann No.2, ZKM, Karlsruhe. 1995 Galeria Juana de Aizpuru, Madrid. 1992 Galerie Nationale du Jeu de Paume, Paris. 1987 Palais des Beaux-Arts, Bruselas.
Marian Goodman Gallery, Nueva York. 1985 Tate Gallery, Londres. 1983 Gewad, Ghent.
Galerie Grita Insam, Viena. 1980 Van Abbemuseum, Eindhoven. 1977 Galleria Lia Rumma, Roma. 1976 Galerie Eric Fabre, Paris. 1975 Galleria Schema, Florencia. 1974 Galerie Bischofberger, Zurich. 1973 Paul Maenz, Colonia.
John Weber Gallery, Nueva York.
Lisson Gallery, Londres. 1971 Galleria Sperone, Turin. 1970 Daniel Templon, Paris. 1968Vat 68, The Herbert Art Gallery, Coventry.
2011Erre, Variations labyrinthiques (WANDER, Labyrinthine Variations), Centre Pompidou-Metz, Metz 2010Animism, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp Double Bind/ Arretez d’essayer de me comprendre! Villa Arson, Nice Animism, Kunsthalle Bern, Bern Mirror, Mirror: Then and Now, The Anne & Gordon Museum of Art, Adelaide, SA Algumas Obras a Ler - Colecção Eric Fabre, Museu Colecção Berardo, Lisbon. 2009Rock – Paper – Scissors. Pop Music as Subject of Visual Art, Kunsthaus Graz, Austria. Voids – eine Retrospective ‘uber leere Ausstellungen, Kunsthalle Bern, Bern La planete des signes – Concrete Erudition, FRAC, Ile-de-France Lisson Presents 5, Lisson Gallery, London 2008 Feelgood things, curated by Guillaume Biji, Muller Muller Gallery, Konkke-Hesit Brussels Biennial 1, Brussels Biennial, Brussels Muzej u senci, Museum of Contemporary Art Vojvodina, Novi Sad Sympathy for the Devil: Art and Rock and Roll Since 1967, Musee d’art Contemporaine de Montreal, QC Der Garten der Pfade, die sich verzweigen, Galerie Thaddaeus Ropac, Paris Présence Panchounette CAPC - Musée d'art contemporain, Bordeaux Sammlung / Collection, Migros Museum für Gegenwartskunst, Zurich Peripheral vision and collective body, MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano Group Show 2008, Ray Hughes Gallery, Sydney
Martian Museum of Terrestrial Art, Barbican, London Based on Paper - The Marzona Collection, Middlesbrough Institute of Modern
Art - MIMA, Middlesbrough guess who's coming, Mirta Demare, Rotterdam Sound of Music, Marres - Centre for Contemporary Culture, Maastricht Art Metropole: The Top 100, MSVU Art Gallery, Halifax 2007 Peter Blum Gallery, New York. For Sale, Cristina Guerra Contemporary Art, Lisbon Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, September-October 200650 years of Documenta 1955-2005, Kunsthalle Fridericianum, Kassel. Public Space/Two Audiences: Works and Documents from the Herbert Collection, Museu d’Art Contemporani de Barcelona. Dark Matter, White Cube, Londres, julio-septiembre. 2005Cram Sessions: 03 Sound Politics, Baltimore Museum of Art, abril-mayo. Collective Creativity, Kunsthalle Fridericianum, Kassel, abril-mayo. 2004Before the End (The Last Painting Show), comisariado por Olivier Mosset, Swiss Institute, Nueva York, septiembre. 2003 Venice Biennale (Individual Systems comisariado por Igor Zabel). Wittgenstein Family Likenesses, Institute of Visual Culture/Wittgenstein Archives, Cambridge, octubre-noviembre. Adorno, Frankfurter Kunstverein, octubre-enero. 2002Iconoclash, Center for Art and Media (ZKM) Karlsruhe. Blast to Freeze: Britische Kunst im 20.Jahrhunert, Kunstmuseum, Wolfsburg. 2000Live in Your Head: Concept and Experiment in Britain 1965-75, Whitechaple Gallery, Londres. Many coloured Objects placed side by side to form a Row of Many Coloured Objects, obras de la colección de Annick and Anton Herbert, Casino Luxembourg. 1999Museum as Muse; Artists Reflect, Museum of Modern Art, Nueva York. Global Conceptualism; Points of Origin 1950s-1980s, Queens Museum of Art, Nueva York. 1998l’envers du décor, Dimensions décoratives dans l’art du xxe Siècle, Musée du Art Moderne, Villeneuve D’Ascq. 1997Documenta X, Kassel. 1995Reconsidering the Object of Art 1965-1972, Museum of Contemporary Art, Los Ángeles. 1992Repeticion/Transformacion, Reina Sofia, Madrid. 1989The Situationist International, 1957-1972, Centre Georges Pompidou, Paris. L’art conceptual, une perspective, Musée d’art Moderne de la Ville de Paris. 1987British Art of the 20th Century, Royal Academy, Londres. 1982Documenta 7, Kassel. 1980Kunst in Europa na ‘68’, Museum Van Hedendaagse Kunst, Ghent. 1976 Biennale di Venezia. 1972Documenta 5, Kassel. 1971The British Avant-Garde, New York Cultural Center, Nueva York. 1970Information, Museum of Modern Art, Nueva York. 1968Language II, Dwan Gallery, Nueva York.
Art & Language: Texte zum Phanomen Kunst und Sprache, Select essays by Art & Language (German English edition) Verlag Dumont-Schauberg, Cologne, 1972
Art & Language 1975-1978 (selected essays by Art & Language), Eric Fabre, Paris (French English edition), 1978
Art & Language, Selected essays 1966-80, Stedelijk Van Abbemuseum, Eindhoven, 1980
Charles Harrison, Essays on Art & Language, Blackwells, Oxford, 1988
Art & Language and Luhmann, Institut f ur soziale Gegenwartsfragen, Freiburg, and
Kunstraum, Vienna, eds., Passagen Verlag, Vienna. Texts by Art & Language,
Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine
David, Peter Weibel.
Anne Rorimer, New Art in the 60s and 70s; Redefining Reality, Thames and Hudson.
Charles Harrison, Conceptual Art and Painting; Further Essays on Art & Language,
MIT Press, Cambridge Massachusetts and London, England.
Peter Osborne, Conceptual Art, Phaidon Books, London
Michael Corris Conceptual Art, Cambridge University Press, 2004
Art & Language: Writings, Distrito Cu4tro, Madrid, Lisson Gallery, London, 2005
Art & Language: Escritos, Distrito Cu4tro, Madrid, Lisson Gallery, London, 2007
Art & Language, The Paintings, Palais des Beaux-Arts, Brussels, 1987
Hostages, Lisson Gallery, London, Galerie de Paris, Marian Goodman Gallery, New York, 1988
Art & Language, Galerie Nationale du Jeu de Paume, Paris, 1992
Art & Language in Practice, Volume 1, Illustrated Handbook, Volume 2, Critical Symposium, Fundació Antoni Tapies, Barcelona, 1999
Art & Language: Too Dark to Read, Motifs Retrospectifs 2002-1965, Musee D’art moderne de Lille Metropole, Villeneuve d’ascq, 2002
Art & Language, Homes from Homes II, Migrosmuseum fur Gegenwartskunst/JRP Ringier, Zurich, 2006
Art & Language han grabado música con The Red Crayola.
Corrected Slogans, 1976.
Drag City/Dexter’s Cigar, Chicago, 1997
Kangaroo?, 1981
Drag City/Dexter’s Cigar, Chicago, 1995
